Subject: Re: Carnaval Night piece |
From: Barrett Brown <barriticus@gmail.com> |
Date: 5/4/09, 08:29 |
To: Christopher Koulouris <christopher@scallywagandvagabond.com> |
On Thu, Apr 30, 2009 at 5:45 PM, Christopher Koulouris
<christopher@scallywagandvagabond.com> wrote:
u r published young man, good work! Did u find any pen writer talks that worked for u? I can't wait until we have the money to start paying talented writers such as yourself...
-Chrstphe.
stiill waiitng on the gentrification article and Johhny interview
On Thu, Apr 30, 2009 at 11:46 AM, Barrett Brown
<barriticus@gmail.com> wrote:
"Photographers are damned fine people and make up a hell of a party
crew," I wrote in my notepad, having already been drinking for several
hours before I arrived at Carnaval Night. The Brazilian-themed event,
sponsored by several camera equipment firms and held last Wednesday
evening at Tribeca Skyline Studios, was one of those pleasant and
interesting parties that actually serve a purpose. In this case,
Profoto was hosting a demonstration of its Pro-8 Air, which as best as
I can tell is some sort of magical mechanical box that emits light or
redirects light or at any rate has something to do with light.
The magical box was, it seemed, a very big hit among the assembled
photography professionals. Two demonstrational photo shoots had been
set up at opposite ends of Skyline's penthouse studio space. One
featured several dancing girls dressed as gypsies or some such who
twirled around and jumped through the air and otherwise stayed very
busy, and the other setup was equipped with a trampoline. The purpose
of all of this, it was eventually explained to me, was to demonstrate
the extent to which the interdimensional witchcraft box could
facilitate clean, non-blurry photos of fast-moving subjects, which is
presumably a very nice thing to facilitate when people are running
around in dresses or jumping on trampolines during photo shoots.
Then again, most attendees didn't seem to be photographers insomuch as
that many of them were properly dressed. I suppose I should note that I
am of the opinion that photographers do not dress well. I can't
remember how or why I came to this conclusion and I have no idea if
it's valid, but it is my opinion and I own it. Still, it seemed that
this would be a good opportunity to put my ridiculous hypothesis to the
test, so I scanned the crowd in search of the worst-dressed person
present and then struck up a conversation with that person.
"Are you a photographer?" I asked a haggard-looking fellow wearing a garish red t-shirt and baseball cap.
"No, I'm with the band," he replied, pointing to the words "Manhattan
Samba" printed on his t-shirt. The guy was of clear and severe West
European barbarian ancestry and bore the same Irish sunburn and
semi-crazed demeanor one finds among Texan uncles. At any rate, you've
got to admire someone who manages to find success in the Samba circuit
despite having not a single Latin bone in his body, and playing under
such a name as "Manhattan Samba" to boot.
Having failed the photographer experiment, I wandered around a bit with
my date (who happens to be my ex-girlfriend and who makes a good date
to such events because she already knows about my inability to behave
myself and thus won't have cause to be disappointed). At some point, we
were approached by a fairly misshapen and not-at-all attractive
photographer who, I noted in silent triumph, was badly dressed. During
a few moments when I walked off to get some cheese and crackers, he
apparently asked my date if the two of us were going out, to which she
replied, "I fly solo." And do you know what the photographer said in
response? You would never guess it. He said, "Maybe we can fly together
some time." This is seriously what he said. So now I have concocted a
new hypothesis regarding the inability of photographers to hit on women
in a competent manner. I just never learn.
The evening was otherwise without incident. The two of us figured out
where the waiters with the appetizer trays were most commonly to be
encountered in their ongoing treks across the studio and then we stayed
at that location. At some point, we observed that one or two attendees
had acquired little hamburgers, but we were ultimately unable to locate
the source of them. It didn't occur to me to simply ask one of the
people with the little hamburgers where those little hamburgers had
come from. You would think that I would have thought to do this, but I
didn't. I'm not, like, an investigative journalist.
--
Christopher Koulouris
Editor in Chief,
www.scallywagandvagabond.comchristopher@scallywagandvagabond.com
tel; 347 721 4308.
Scallywag and Vagabond: a dissection of pop culture, a platform for the avant-garde, an offering from the arbiters of taste and probing interviews. Imagine; a fusion of editorials from the New Yorker meets the savagery of Gawker with the allure of Vanity Fair.